Forensic archaeologist Ruth Galloway changed her life—until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.
Ruth Galloway is shocked when she learns that her old university friend Dan Golding has died tragically in a house fire. But the death takes on a sinister cast when Ruth receives a letter from Dan written just before he died.
The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life. Was Dan's death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur.
Winner of the CWA Dagger in the Library Award
Praise for Elly Griffiths' Ruth Galloway series
"Gripping." —Louise Penny | "Highly atmospheric." —New York Times Book Review
"Remarkable, delightful." —Associated Press | "Must-reads." —Deborah Crombie
"Wonderfully rich . . . A great series." —Guardian | "Smart, down-to-earth, and completely believable." —Mercury
The first entry in the acclaimed Ruth Galloway series follows the "captivating"* archaeologist as she investigates a child's bones found on a nearby beach, thought to be the remains of a little girl who went missing ten years before.
Forensic archeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not
One of Entertainment Weekly's 10 Great Fall Thrillers
"Clever, immensely likeable...Captivating." —The Wall Street Journal
In the first installment of a compelling new series by Elly Griffiths featuring Detective Inspector Edgar Stephens and the magnificent Max Mephisto, a band of magicians who served together in World War II track a killer who's performing their deadly tricks.
Brighton, 1950. The body
It's been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?
Ruth and Detective Harry Nelson would like...
"Rich in atmosphere and history and blessed by [Griffith's] continuing development of brilliant, feisty, independent Ruth . . . A Room Full of Bones, like its predecessors, works its magic on the reader's imagination." —Richmond Times-Dispatch
When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum's curator lying dead on the floor. Soon after,