Hieronymus Bosch
(eBook)

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Published
Parkstone International, 2012.
Format
eBook
Status
Available Online

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Language
English
ISBN
9781780427485

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Citations

APA Citation, 7th Edition (style guide)

Virginia Pitts Rembert., & Virginia Pitts Rembert|AUTHOR. (2012). Hieronymus Bosch . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Virginia Pitts Rembert and Virginia Pitts Rembert|AUTHOR. 2012. Hieronymus Bosch. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Virginia Pitts Rembert and Virginia Pitts Rembert|AUTHOR. Hieronymus Bosch Parkstone International, 2012.

MLA Citation, 9th Edition (style guide)

Virginia Pitts Rembert, and Virginia Pitts Rembert|AUTHOR. Hieronymus Bosch Parkstone International, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID692a9050-f474-b78d-c43c-18ae6c6f1858-eng
Full titlehieronymus bosch
Authorrembert virginia pitts
Grouping Categorybook
Last Update2022-11-16 18:03:44PM
Last Indexed2024-03-27 03:21:51AM

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Image Sourcecoce_google_books
First LoadedJun 18, 2022
Last UsedJan 15, 2024

Hoopla Extract Information

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    [synopsis] => Hieronymus Bosch was painting terrifying, yet strangely likeable, monsters, long before computer games were invented, often with a touch of humour. His works are assertive statements about the mental dangers that befall those who abandon the teachings of Christ. With a life that spanned from 1450 to 1516, Bosch was born at the height of the Renaissance and witnessed its wars of religion. Medieval traditions and values were crumbling, thrusting man into a new universe where faith had lost some of its power and much of its magic.
Bosch set out to warn doubters of the perils awaiting all and any who lost their faith in God. Believing that everyone had to make their own moral choices, he focused on themes of hell, heaven and lust. He brilliantly exploited the symbolism of a wide range of fruits and plants to lend sexual overtones to his themes.
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