The Utopia of Film

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Columbia University Press, 2013.
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APA Citation, 7th Edition (style guide)

Christopher Pavsek., & Christopher Pavsek|AUTHOR. (2013). The Utopia of Film . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Christopher Pavsek and Christopher Pavsek|AUTHOR. 2013. The Utopia of Film. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Christopher Pavsek and Christopher Pavsek|AUTHOR. The Utopia of Film Columbia University Press, 2013.

MLA Citation, 9th Edition (style guide)

Christopher Pavsek, and Christopher Pavsek|AUTHOR. The Utopia of Film Columbia University Press, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID2c328381-9c8b-107b-17ab-c19d46aea6f2-eng
Full titleutopia of film cinema and its futures in godard kluge and tahimik
Authorpavsek christopher
Grouping Categorybook
Last Update2022-06-07 21:55:01PM
Last Indexed2022-08-13 03:25:11AM

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    [synopsis] => The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a 'redeemed world,' even in the face of new cultural and technological challenges. In three groundbreaking essays, Christopher Pavsek showcases these utopian visions, drawing attention to their strengths, weaknesses, and undeniable impact on film's political evolution. Pavsek approaches Godard, Tahimik, and Kluge as thinkers first, situating their films within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action. He replays the battle these artists waged against Hollywood interests, the seduction of other digital media, and the privileging of mass entertainment over cinema's progressive, revolutionary roots. He discusses Godard's early work, Alphaville (1965), against his later films, Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and conducts the first scholarly reading of Film Socialisme (2010) and its new form of utopian optimism. He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981-1991), along with his major works, Perfumed Nightmare (1977) and Turumba (1983), in which he calls on the anticolonial impulses of his native Philippines to resist Western commodity culture; and he constructs a dialogue between Kluge's earliest films, Brutality in Stone (1961) and Yesterday Girl (1965), and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009), noting a utopianism deeply indebted to Marx and Adorno yet designed to appeal to modern sensibilities. In the thwarted ambitions, disappointed hopes, and thrilling experiments of these forward-thinking filmmakers, Pavsek reinforces an important chapter in the history of film and its relevance to political filmmaking today.
    [url] =>
    [pa] => 
    [series] => Film and Culture
    [subtitle] => Cinema and Its Futures in Godard, Kluge, and Tahimik
    [publisher] => Columbia University Press