Into the shadows.
(Unknown)
Contributors
Bereford, Bruce, interviewee.
Buckley, Anthony, interviewee.
Adams, Philip, interviewee.
Finney, Alan, interviewee.
Pike, Andrew, interviewee.
Buckley, Anthony, interviewee.
Adams, Philip, interviewee.
Finney, Alan, interviewee.
Pike, Andrew, interviewee.
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Format
Unknown
Physical Desc
1 online resource (1 video file, approximately 89 min., 55 sec.) : digital, .flv file, sound
Status
Unavailable/Withdrawn
Description
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Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Ronin Films in 2009.
Description
Into the shadows journeys beyond the big screen to meet the filmmakers, distributors and exhibitors who bring Australian films to us, the audience. Away from the bright lights, the red carpets and paparazzi, an awful truth is discovered. The cinema was once a place where Australian culture thrived: audiences were educated, entertained and inspired by Australian stories, characters and landscapes. But now, alarmingly, out of the {dollar}895.5 million spent at the Australian box-office in 2008, only {dollar}36.6 million (3.8%) was spent on Australian films. Australian films are clearly not connecting with the cinema-going audience. Why? Into the Shadows begins by tracing the history of Australian cinema, from the initial production boom in 1910-12, declining steadily to the barren post-war years. The film investigates the regeneration of the domestic production industry, championed by a dedicated few, in the late 1960s. Bruce Beresford, Anthony Buckley, Phillip Adams and Alan Finney recount what the atmosphere was like in the 1960s and 1970s while distributors and exhibitors, Andrew Pike (Electric Shadows), Chris Kiely (Valhalla), Natalie Miller (the Longford) and Antonio Zeccola (Palace) reveal how important the independent art-house cinemas were in contributing to the re-birth of the Australian film industry. The closure of many of these independent art-house cinemas in recent years, typified by the demise of Electric Shadows in Canberra in 2006, exacerbates the difficulties that producers have in reaching cinema screens on a fair and equitable basis. Many exhibitors, past and surviving, question the efficacy of the industry's code of conduct, and talk frankly about unfair trade practices. These difficulties parallel the growing number of Australian films remaining unreleased. But all is not lost. A new generation of Australian filmmakers have emerged and continue to push at the boundaries of the cinema trade, exploring new ways of connecting to the ever elusive but very important audience.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Bereford, B., Buckley, A., Adams, P., Finney, A., Pike, A., Kiely, C. J., Miller, N., & Zeccola, A. (2014). Into the shadows . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Bruce, Bereford et al.. 2014. Into the Shadows. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Bruce, Bereford et al.. Into the Shadows Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)Bereford, Bruce,, et al. Into the Shadows Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
3d95e81d-20fc-5770-0afe-f2b56503defb-eng
Grouping Information
Grouped Work ID | 3d95e81d-20fc-5770-0afe-f2b56503defb-eng |
---|---|
Full title | into the shadows |
Author | kanopy |
Grouping Category | movie |
Last Update | 2022-07-05 21:15:06PM |
Last Indexed | 2024-03-29 02:49:54AM |
Book Cover Information
Image Source | default |
---|---|
First Loaded | May 14, 2021 |
Last Used | Jan 21, 2024 |
Marc Record
First Detected | Aug 02, 2013 12:00:00 AM |
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Last File Modification Time | Aug 03, 2021 03:10:47 AM |
MARC Record
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