In the Monument
(Unknown)
Contributors
Published
[San Francisco, California, USA] : Interfilm Productions, 2015., Kanopy Streaming, 2017.
Format
Unknown
Physical Desc
1 online resource (streaming video file) (53 minutes): digital, .flv file, sound
Status
Unavailable/Withdrawn
Description
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Subjects
LC Subjects
Other Subjects
More Details
Language
English
Notes
General Note
Title from title frames.
General Note
In Process Record.
General Note
Film
Date/Time and Place of Event
Originally produced by Interfilm Productions in 2015.
Description
World renowned architect Daniel Libeskind (Jewish Museums in Berlin, Copenhagen, San Francisco), prolific scholar James E. Young (The Texture of Memory, Writing and Rewriting the Holocaust), museum designer Ralph Appelbaum (US Holocaust Memorial Museum, Canadian Museum for Human Rights), visual artist Esther Shalev-Gerz (Hamburg-Harburg Monument Against Fascism) and many other knowledgeable artists, designers, and educators share their thoughts on the history and the future of Holocaust memorialization. Presenting the last stage of the design competition for the Canadian Holocaust Monument and six shortlisted proposals, we get behind the scenes of what it’s like to represent the Holocaust with art and design...IN THE MONUMENT examines the evolution of Holocaust inspired monument building in the last 70 years. With the help of world famous artists, scholars, architects we get to explore how to make monuments last or is the timelessness just an illusion. Monuments, just like other pieces of public art, need to evolve and be ready for change. What makes one monument speak for centuries and others disappear without a trace?
System Details
Mode of access: World Wide Web.
Language
In English
Citations
APA Citation, 7th Edition (style guide)
(2015). In the Monument . Interfilm Productions.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2015. In the Monument. Interfilm Productions.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)In the Monument Interfilm Productions, 2015.
MLA Citation, 9th Edition (style guide)In the Monument Interfilm Productions, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
886bfe8e-dbb5-e7da-c064-cacb5e03e942-eng
Grouping Information
Grouped Work ID | 886bfe8e-dbb5-e7da-c064-cacb5e03e942-eng |
---|---|
Full title | in the monument |
Author | interfilm productions |
Grouping Category | movie |
Last Update | 2022-07-05 21:15:06PM |
Last Indexed | 2024-04-17 04:02:20AM |
Book Cover Information
Image Source | default |
---|---|
First Loaded | Mar 8, 2024 |
Last Used | Mar 11, 2024 |
Marc Record
First Detected | Apr 24, 2017 12:00:00 AM |
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Last File Modification Time | Aug 03, 2021 03:12:42 AM |
MARC Record
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500 | |a Title from title frames. | ||
500 | |a In Process Record. | ||
500 | |a Film | ||
518 | |a Originally produced by Interfilm Productions in 2015. | ||
520 | |a World renowned architect Daniel Libeskind (Jewish Museums in Berlin, Copenhagen, San Francisco), prolific scholar James E. Young (The Texture of Memory, Writing and Rewriting the Holocaust), museum designer Ralph Appelbaum (US Holocaust Memorial Museum, Canadian Museum for Human Rights), visual artist Esther Shalev-Gerz (Hamburg-Harburg Monument Against Fascism) and many other knowledgeable artists, designers, and educators share their thoughts on the history and the future of Holocaust memorialization. Presenting the last stage of the design competition for the Canadian Holocaust Monument and six shortlisted proposals, we get behind the scenes of what it’s like to represent the Holocaust with art and design...IN THE MONUMENT examines the evolution of Holocaust inspired monument building in the last 70 years. With the help of world famous artists, scholars, architects we get to explore how to make monuments last or is the timelessness just an illusion. Monuments, just like other pieces of public art, need to evolve and be ready for change. What makes one monument speak for centuries and others disappear without a trace? | ||
538 | |a Mode of access: World Wide Web. | ||
546 | |a In English | ||
650 | 0 | |a Architecture. | |
650 | 0 | |a Art. | |
653 | |a Documentary-style films | ||
653 | |a Jews--Study and teaching | ||
655 | 4 | |a Jewish Studies | |
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710 | 2 | |a Kanopy (Firm),|4 dst | |
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