[I.] Prehistoric and ancient art : This is actual woman: Woman of Willendorf
We are a species still in transition: cave art at Altamira
History is a graveyard of aristocracies: Prince Rahotep and his wife Nofret
Bronzeware inf China records the spiritual core of Chinese civilization: Chinese bronze ritual vessel
Fine, compact, and strong, like intelligence: Chinese jade ornament
A channel for the universal soul: Assyrian lion hunt reliefs
Certain ideal beauties of nature exist only in the intellect: Riace bronzes
This work should be considered superior to any other: Laoco�on and his sons
Stylized form and spiritual beauty have become recognized features of the Buddha-image: standing Buddha from Gandhara
The most monumental and awe-inspiring visible expression of his authority: Marcus Aurelius
The face of Teotihuac�an: Teotihuac�an mask
A new type of figural composition: sarcophagus of Junius Bassus
Dressed to establish their eternal presence among the divine: mosaics of Emperor Justinian and Empress Theodora
[II.] The medieval world : It is not an impure idol, it is a pious memorial: reliquary of Theuderic
The work of angelic rather than human skill: Book of Kells
A clear symbol of Christ truly human and truly dead on the cross: Gero Crucifix
Your edifice unravels the mystery of the faithful: Mihrab, Great Mosque of C�ordoba
It is a story shaped by purpose: the Bayeux Tapestry
The finished statues simply walked to the stated destinations: Easter Island statues
Life and death, the beginning and the end: Nio temple guardians
Let there be light: stained-glass windows, Chartres Cathedral
A strong classical spirit motivates its forms: Pisa Baptistery pulpit / Nicola Pisano
Every painting is a voyage into a sacred harbor Renunciation of worldly goods, Bardi Chapel / Giotto
O Holy Mother of God grant peace to Siena and life to Duccio who has painted you thus: Maest�a / Duccio di Buoninsegna
Why should I worry if it shows likeness or not: Wind among the trees on the riverbank / Ni Zan
An elegant and enigmatic masterpiece: the Wilton Diptych
[III.] Renaissance and mannerism : To me was conceded the palm of victory: Sacrifice of Isaac / Lorenzo Ghiberti
Icons are in colors what the scriptures are in words: Holy Trinity / Masaccio
The man who transformed the mere binding of pigments with oil into oil painting: The Arnolfini portrait / Jan van Eyck
By two wings is man lifted above earthly things, even by simplicity and purity: Descent from the cross / Rogier van der Wayden
A elegantly compact image of the subject's proclaimed virtues: Cecilia Gonzaga medal / Pisanello
The noblest pleasure is the joy of understanding: Pallas and the centaur / Sandro Botticelli
The eye makes fewer mistakes than the mind: studies for The Virgin and Child with St. Anne / Leonard da Vinci
Terrifying visions of the horrors of doomsday: The four horsemen of the apocalypse / Albrecht D�urer
A nightmare cast within the female form: Goddess Coatlicue
The master of the monstrous ... the discoverer of the unconscious: The garden of earthly delights / Hieronymus Bosch
A painter must compensate the natural deficiencies of his art: The miraculous draught of fishes cartoon / Raphael
By sculpture I mean that which is done by subtracting: Young slave / Michelangelo
A prince's mistress who basks in the warmth of her own flesh: Venus of Urbino / Titian
His majesty could not satiate his eyes with gazing upon it: Salt cellar / Benvenuto Cellini
Benvenuto Cellini could not have cast them better: Benin bronzes
Rarely had landscape been given such pride of place as subject matter: Hunters in the snow / Pieter Bruegel the Elder
Perfection is to imitate the face of mankind / Young man among roses / Nicholas Hilliard
Like his imperial mentor, Basawan created as naturally as the wind blows: Akbar's adventures with the elephant Hawa'i in 1951 / Basawan
[IV.] Baroque and neoclassicism : Darkness gave him light: The supper at Emmaus / Michelangelo Merisi de Caravaggio
Through paintings or other representations the people are instructed: Christ of Clemency / Juan Mart�inez Monta�n�es
I have never lacked courage to undertake any design, however vast in size: A lion hunt / Peter Paul Rubens
The valor of the vanquished makes the glory of the victor: The surrender of Breda / Diego Vel�azquez
If this is divine love, I know it: Ecstasy of St. Teresa / Gianlorenzo Bernini
My nature constrains me to seek and to love well-ordered things: the Holy Family of the steps / Nicolas Poussin
Life etches itself onto our faces as we grow older, showing our violence, excesses or kindnesses: Self-portrait with two circles / Rembrandt
The calm sunshine of the heart: Landscape with Ascanius shooting stag of Sylvia / Claude
He is every inch a king: Louis XIV / Hyacinthe Rigaud
How gladly we accept this gift of sensuous pleasure!: Pilgrimage to the Isle of Cythera / Jean-Antoine Watteau
Other pictures we see, Hogarth's we read: A rake's progress: the lev�ee / William Hogarth
I have therefore drawn these ruins with all possible exquisiteness: The Colosseum / Giovanni Battista Piranesi
His are is that of the theater with a stage that is deliberately elevated above us: Apollo and the continents / Giambattista Tiepolo
The spirit of the Industrial Revolution: An iron forge / Joseph Wright
He hope to ward away the spirits that invaded his mind: Bad-tempered man / Franz Xaver Messerschmidt
A light in the storm of revolution: Death of Marat / Jacques-Louis David
A very inchanting piece of ruin, nature has now made it her own: Tintern Abby / Joseph Mallord William Turner
Noble simplicity and calm grandeur: tomb of Maria Christian of Austria / Antonio Canova
[V.] Romanticism to symbolism : The sleep of reason produces monsters: The disasters of war / Francisco de Goya
A mode for defining the presumed cultural inferiority of the Islamic Orient: Grande odalisque / Jean-Auguste-Dominique Ingres
I have to stay alone in order to fully contemplate and feel nature: The wanderer above the sea of fog / Caspar David Friedrich
I have no love of reasonable painting: The death of Sardanapalus / Eug�ene Delacroix
From today, painting is dead: Boulevard du Temple / Louis-Jacques-Mand�e Daguerre
Observe nature, what other teacher do you need?: Lion crushing a serpent / Antoine-Louis Barye
There should be a moral in every work of art: Greek slave / Hiram Powers
There's scarcely a novice who fails to solicit the honors of the exhibition: The Romans of the decadence / Thomas Couture
Show me an angel and I will paint one: A burial at Ornans / Gustave Courbet
One can almost hear the crack of thunder: Sudden shower over Shin-Ohashi Bridge and Atake / Utagawa Hiroshige
I would like to paint as a bird sings: Women in the garden / Claude Monet
Subject matter has nothing to do with the harmony of color: Nocturne in black and gold: the falling rocket / James Abbott McNeill Whistler
A work of art which did not begin in emotion is not art / Sunday on La Grande Jatte / Georges Seurat
Seeks to clothe the idea in a perceptible form: The dance of life / Edvard Munch
[VI.] The modern age : A temple consecrated to the cult of Beethoven: The Beethoven frieze / Gustave Klimt
A pot of paint has been flung in the face of the public: Woman with a hat / Henri Matisse
An agonizing restlessness drove me out onto the streets day and night: Street, Dresden / Ernst Ludwig Kirchner
The senses deform, the mind forms: Accordionist / Pablo Picasso
Universal dynamism must be rendered in painting as a dynamic sensation: States of mind: those who go / Umberto Boccioni
Color exerts a direct influence upon the soul: Composition VI / Wassily Kandinsky
Use Rembrandt as an ironing board!: Bicycle wheel / Marcel Duchamp
If that's art, hereafter I'm a bricklayer: Bird in space / Constantin Brancusi
Hand-painted dream photographs: The persistence of memory / Salvador Dal�i
Each material has its own individual qualities: Recumbent figure / Henry Moore
Every good painter paints what he is : Autumn rhythm / Jackson Pollack
Real art is lurking where you don't expect it: The cow with the subtile nose / Jean Dubuffet
I take a clich�e and try to organize its forms to make it monumental: Whaam! / Roy Lichtenstein
Actual works of art are little more than historical curiosities: One and three chairs / Joseph Kosuth
One's mind and the earth are in a constant state of erosion: Spiral jetty / Robert Smithson
Art is the science of freedom: I like America and America likes me / Joseph Beuys
We're all educated to be frightened of female power: The dinner party / Judy Chicago
I shall never tire of representing her: Maman / Louise Bourgeois
Change is the creative impulse: The clock / Christian Marclay.