An abbreviated version of the classic story of the ten-year-old orphan who goes to live in a lonely house on the Yorkshire moors where she discovers an invalid cousin and the mysteries of a locked garden.

After narrowly escaping the menacing clutches of the dastardly Count Olaf, the three Baudelaire orphans are taken in by a kindly herpetologist with whom they live happily for an all-too-brief time.

Catastrophes and misfortune continue to plague the Baudelaire orphans after they're sent to live with fearful Aunt Josephine who offers little protection against Count Olaf's treachery.

Under a new government program based on the saying "It takes a village to raise a child," the Baudelaire orphans are adopted by an entire town, with disastrous results.

Still pursued by the evil Count Olaf, the Baudelaire orphans attempt to reach a very important VFD meeting, but first they must travel in a rattletrap submarine to the Gorgonian Grotto, a dangerous underwater cave, in search of the sugar bowl.

On the run as suspected murderers, the unlucky Baudelaire orphans find themselves trapped in the Caligari Carnival, where they must masquerade as freaks in order to hide from the evil Count Olaf.

When Neverfell, who has no memory, arrives in Caverna, her facial expressions make her very dangerous to the people who live with blank faces or pay dearly to learn to simulate emotions.

Orphaned Meira, a fierce chakram-wielding warrior from the Kingdom of Winter, must struggle to free her people from the tyranny of an opposing kingdom while also protecting her own destiny.

Mary B. Addison killed a baby. Allegedly. She didn't say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a church-going black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn't say. Mary survived six years in baby jail before being dumped in a group home. The house isn't really...

Seven-year old Sarah Crewe does indeed appear to be a princess, with every lovely possession a little girl could want, and dignity and graciousness too. While he travels abroad for his work, her father leaves her at Miss Minchin's Seminary. Suddenly, with the arrival of disastrous news about her father, Sarah's world changes completely. Fortunately, her sweet nature never deserts her and, despite her cruel treatment at the hands of Miss Minchin,...